Tom is one of my oldest professional colleagues. He's younger than me, so not that kind of old, but we've both been at the same school for over twenty years, making us some of the old timers now. For the last decade or so, he's been teaching mostly math, but when he's not doing that, he's writing. His writing career started at an early age, and he's been writing ever since. I knew this about him when I decided to take on the National Novel Writing Month challenge a few years back. I am going to take credit for convincing him to give it a try, and he has kept going with it, long after I quit. He knew he had some good stories to tell, and for the last couple of years, he's been pursuing finding an agent for one of his NaNoWriMo books. Happily, this is the year for him, as he signed with an agent who is excited about his middle grade book, FOLLOWING INFINITY. We decided to do guest posts on each other's blogs, and I asked him to share some thoughts on revision, which is a challenge for most of us, no matter what our writing ability.
Our district began specializing in intermediate grades ten years
ago, which means I haven’t formally taught anything to do with writing since
2004. There have been times I’ve missed working with a curricular area I’m so
passionate about, but when I read Betsy’s blog and learn of the strategies she
incorporates into her classroom, I’m reminded of what an uphill battle it can
be to engage elementary students in writing. Then it seems that maybe working
with numbers and shapes isn’t so bad after all.
In a post Betsy wrote about revision, she described how she had
students pair off to share their writing and offer each other suggestions about
how to improve their work. Too often the students would report back to her that
the writing was already good enough so no changes were necessary. Speaking as a
teacher, hearing a comment like this would have me mentally roll my eyes and
redirect the students to try digging a little deeper, and give them some
direction of what to look for. To hear this comment as a writer could quite
possibly drive me into pulling my hair out. To put it simply, a lot of what
people would think of as writing takes place in the revising. I’ve made the
comparison for people that drafting a manuscript is a lot like a sculptor
getting their hands on a massive lump of clay, and the revising that follows is
when that clay is gradually molded into art. To highlight my point I decided to
keep track of how many times I’ve made changes to this post you’re reading
before I decided it was ready to send to Betsy. Updating this paragraph will be
the last thing I edit before I send it, so I can now say I’ve read and revised
this post in some way at least twenty different times.
I thought it was great Betsy was trying to get her students to
work with critique partners, since that’s what many aspiring and professional
writers do. The trick is finding people who will understand what you’re trying
to accomplish, even if they don’t necessarily share your vision, and will be
able to read critically and provide you with honest feedback. I’ve been lucky
enough to have a small group of people over the years (Betsy being one of them)
I’ve been able to rely on as some of my first readers. Collecting opinions from
different people helps you identify any problems you might not see yourself
because you’re too close to the work. If you have a lot of people identify how
something about your story isn’t working for them, it’s pretty clear that needs
to be addressed. But sometimes you’ll get contradicting feedback and you have to
go with your gut on what to do. Example: Last summer a teacher friend read
through a middle grade manuscript I had just finished revising. She gave me
some great feedback, including points about one particular (and I’d say
pivotal) scene that left her feeling so disturbed she had to stop reading and
walk away from it for awhile. It made me wonder if I had pushed the moment too
far for the age group of the target audience. Fast forward to eight months
later when I received revision notes from my agent Carrie, who also had
comments on that same moment but in the opposite direction. Hearing from
different people, especially regarding a scene that could be polarizing, helped
me clarify why it was important to keep it; ‘disturbed’ was the reaction I had
been going for after all, and it worked. But without the benefit of outside
opinions to consider I may not have reflected on that scene the way I did, and
as a result I might have missed out on newer ideas that stemmed from that
moment.
I’ll admit, when the revision notes came in from my agent I
opened them with an equal mix of excitement and trepidation. We’d already
discussed an overview of her ideas during a couple of phone calls so I knew
what to expect. I was looking forward to seeing her specific notes and getting
back to work because I knew she understood what I was going for and saw ideas
to explore that would make the manuscript even better. But it meant a lot of
revising to do on a project I’d already done a fair amount of heavy lifting on
three or four times before. Her feedback wasn’t exactly “I love this so much,
now go back rewrite the whole thing,” but some of the changes she suggested
were big: edits that could result in removing entire chapters, developing
characters she wanted to see more of, cutting some characters out, redefining
the relationships between others, and expanding on sections of the story to
develop the overall progression. This was no thirty seconds of us standing in
the back of the classroom and then me telling Mrs. Quist that “my partner
thought it was good so I don’t really have to change anything.”
But if I hadn’t gotten that kind of feedback, I would have been
disappointed. For her to think about the manuscript so critically shows me how
invested she is in seeing this become something more. And I have to say, it
was both reassuring and a little scary to know just how dead-on her
suggestions were. With the work I’ve been able to do on it so far, I can
already see the new directions the story will go and what it will be like when
it’s finished.
And once it is, you can bet I’ll be anxious to hear Mrs. Quist’s
opinion.
If you would like to read more about Tom's writing life, plus a host of other topics (he has an extensive music collection, views a variety of movies, and is generally a reflective kind of guy), I recommend you check out his blog What I Did On My Summer Vacation. http://ernieyoureafool.blogspot.com